Imagen única de: Guerra Medieval Vol Iii-1 - Una Guerra Fría Medieval En España
Imagen única de: Guerra Medieval Vol Iii-1 - Una Guerra Fría Medieval En España

Medieval Warfare Vol III-1 - A Medieval Cold War in Spain

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Shipping and returns

Shipping Policy

DELIVERY TIMES

Our products are delivered via various courier agencies (Seur, Correos, Gls, Fedex, or Nacex) using express home delivery. Delivery times range from 24 hours to several weeks depending on:

  • Available stock.
  • Product manufacturing (some products are made to order, which entails a longer time than usual).
  • Product customization (There are products, whether manufactured or in stock, that can be customized, which may increase shipping time).
  • Workload (We have dates when order volume exceeds our resources, such as Black Friday, although we usually bolster our staff).
  • Reasons beyond the company's control (For shipments, we rely on companies like Nacex, Correos, and others that may have their own complications; there are also customs issues, weather-related causes, and other factors outside EYM's direct control).


European Union Orders

Todo Medieval reserves the right to deduct shipping and associated costs from the refund if:
-The customer has opened the package and the products show signs of damage or wear from use; a proportional amount or nothing will be refunded, depending on the condition of the product(s).


Refunds will not be issued until the order is received and its condition is verified.


International Orders

Todo Medieval, located in Spain, considers any country that is not a member of the European Union to be an international shipment.

The company is not responsible for the customs duties of each country; it is the customer's responsibility to investigate and settle these costs generated at their borders. Todo Medieval reserves the right to deduct shipping and associated costs from the refund if:

-The customer refuses to pay customs duties.

-The customer has opened the package and the products show signs of damage or wear from use; a proportional amount or nothing will be refunded, depending on the condition of the product(s).


Refunds will not be issued until the order is received and its condition is verified.

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If you wish to make a return, you must download this Withdrawal Form, fill it out, and send it to our offices located at C/ Santa Lucía 4b nave 4, Oyon, Álava. Postal Code: 01320, or via email to [email protected]

The Customer is granted the right to withdraw from the order within 14 calendar days from the receipt thereof. Outside of this period, cancellations of orders will not be accepted, nor will they be accepted for orders involving the supply of goods made according to the Customer's specifications or clearly personalized, or which, by their nature, cannot be returned or may deteriorate or expire rapidly, etc., that have been unsealed and/or used by the Customer. The Customer must communicate their withdrawal to THE ENTITY via the Withdrawal Form (Link to Document) by email, postal mail, or fax, within that 14-day period. The cost of return shipping shall be borne by the Customer. Products must be in the same condition in which they were received, with the original packaging, and cannot have been used. The refund will be made using the same payment method used by the Customer.

Warranty

RETURN POLICY

We provide an after-sales service to resolve any issues that may arise during the shipping of our items, keeping our customers informed at all times.

If for any reason you are not satisfied with your order, you have a period of 14 calendar days, starting from the date of delivery of the order, to process your return due to withdrawal.

The right of withdrawal will not apply to products made by hand to order, products modified according to specifications requested by the buyer, or those clearly personalized, except in the case of a defect or manufacturing error. The delivery time for products made to order or personalized may take longer than usual depending on the current workload.

You may terminate the purchase contract made in our online store by sending an email within the aforementioned period.

You must send the item or items back to us by your own means. Shipments sent "carriage forward" (cash on delivery for shipping) will not be accepted.

If you wish to make a return, you must download this Withdrawal Form, fill it out, and send it to our offices located at C/ Santa Lucía 4b nave 4, Oyon, Álava. Postal Code: 01320, or via email to [email protected]

The Customer is granted the right to withdraw from the order within 14 calendar days from the receipt thereof. Outside of this period, cancellations of orders will not be accepted, nor will they be accepted for orders involving the supply of goods made according to the Customer's specifications or clearly personalized, or which, by their nature, cannot be returned or may deteriorate or expire rapidly, etc., that have been unsealed and/or used by the Customer. The Customer must communicate their withdrawal to THE ENTITY via the Withdrawal Form (Link to Document) by email, postal mail, or fax, within that 14-day period. The cost of return shipping shall be borne by the Customer. Products must be in the same condition in which they were received, with the original packaging, and cannot have been used. The refund will be made using the same payment method used by the Customer.

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We accept the following payment methods:

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Secure payment

At Todo Medieval, we comply with the strictest current payment regulations.
We accept the following payment methods:

  • Visa and MasterCard Credit/Debit cards
  • Bank Transfer (instructions at Checkout)
  • Bizum
  • SeQura
  • Cash on Delivery (Iberian Peninsula only; Spain and Portugal. Islands, Ceuta, and Melilla are excluded)

Get Medieval Warfare Vol III-1 - A Medieval Cold War in Spain


Medieval Warfare iii.1, 2013

Theme: A medieval cold war in Spain: The War of the Two Pedros

Introduction: Owen Rees, 'The War of the Two Pedros'.

If Europe in the 13th and 14th centuries was a theatre of war, then France and England were the main protagonists; they had the best lines and the most time on stage. Other states played only a small part in the Anglo-French dialogue that still fills medieval history books today. This has led us to ignore the background, the mixed 'extras' that built the atmosphere and allowed the light to shine so brightly on the two lead roles. In this issue, we will be firmly fixed on the outer wing of the stage, the dark corner that our actors enter only infrequently; but, when they do, the whole stage explodes into activity. We turned our eyes to the Iberian Peninsula and had very little knowledge about it. And yet, one of the most famous medieval battles took place in the context of this war.

Theme: Alberto Raúl Esteban Ribas, 'Naval warfare in the Kingdom of Aragon - Les ordinacions sobre lo fet de la mar'.


The ordinances of the fleets of the Crown of Aragon are a collection of public rules drafted in the times of Peter IV of Aragon (Peter III of Catalonia), around the mid-14th century. The core of this regulatory body is Les ordinacions sobre lo fet de la mar, written in 1354 by Bernat de Cabrera II, admiral of the fleet, which focused on describing ranks of command, weapons, and personnel in an aggressive military doctrine.

Theme: Gareth Williams, 'Siege warfare in the 14th century: By fair means or foul'.

Illustrated by Carlos García.

During the first part of his reign and throughout the wars with Aragon (1356-63), Peter I of Castile was willing to undertake a series of victories. Many were successful, resulting in the capture of several strongholds. How was this achieved? What conventions were observed during a medieval siege in the 14th century and what equipment was available?

Theme: Arnold Blumberg, 'Warriors on horseback of medieval Spain - The Jinete'.

Illustrated by Pablo Outeiral.

From the year 722 to 1492, during what history calls the Reconquista (or 'recapture'), various Christian kingdoms waged a relentless war to reconquer the Iberian Peninsula from the Islamic kingdoms established there, collectively known as Al-Andalus. The balance of power shifted between the conflicting participants in a bewildering manner. By the mid-13th century, the strategic advantage (and half the peninsula) was in the hands of the emerging Christian kingdoms. One of the reasons for their final success during the tumultuous period of the Reconquista was the employment of the Spanish light cavalry, the Jinetes, who performed multiple roles on and off the war-torn battlefields of medieval Spain and Portugal.

Theme: Stephen Bennett, 'A calamitous victory for the Plantagenet cause - The Black Prince in Spain'.

Illustrated by José Antonio Gutiérrez López and Jason Juta.

Although it represented a great battlefield victory for Edward, Prince of Wales (later known as the Black Prince), the 1367 campaign that ended with the Battle of Nájera was to have damaging and far-reaching strategic consequences for England, including the return of Castile and its powerful navy to the Valois cause, the loss of Aquitaine, and the disintegration of the Great Company (Grande Compagnie). At a tactical level, it is an excellent example of an English High Medieval army on the attack, including the use of longbowmen on the offensive, as well as a demonstration of the Black Prince's tactical brilliance.

Theme: Nils Visser, 'The Iberian campaigns of Bertrand du Guesclin - Demon's face, hero's heart'.

Illustrated by José Daniel Cabrera Peña.

The Castilian Civil War ended on March 23, 1369, at the gates of Montiel Castle. Like many events that occurred in Western Europe at the time, this was part of the geopolitical consequences of the Hundred Years' War. The death of Peter the Cruel (Peter I of Castile) on that date offers us a dramatic picture of rivalry and betrayal, but it would also have a profound influence on the later course of the war in general. Furthermore, it was one more milestone in the career of one of the most colourful participants in this war, a Breton of humble origin, who would rise to the post of Constable of France, second in command to the King of France: Bertrand du Guesclin, the 'Black Dog of Brocéliande', the 'Eagle of Brittany', and the scourge of the English.

Features

The Siege: Martin Mi?o, 'Inside a siege camp - The siege of Cabrad Castle'.

Illustrated by Rocío Espín.

In 1462, the flag of "The Brothers" flew over a castle situated on a cliff overlooking a large river bend, winding through a canyon carved deep into the surrounding plateau. High on the ridge connecting the castle cliff to the rest of the plateau, a palisade had been built under the banner of the Black Army and the flag of the Royal House of Hungary. King Matthias of Hungary had set up a siege camp at ?abra? (Tshabrag) Castle to ensure the free passage of this part of the important route.

The Revolt: Mike Ingram, 'England's forgotten battles: The dark side of Blackheath'.

Illustrated by Darren Tan.

Blackheath is an area of open high ground just outside the city of London, located between the districts of Greenwich and Lewisham. However, in medieval times, it was more than four miles to the southeast, and from its heights one could look out over London Bridge and the city itself. Across it, the Romans built Watling Street (now the A2), their road from Dover to London. It was the meeting place of the ancient hundreds of Blachehedfeld, whose name means the dark-coloured heathland. It became the favourite place for the mayors of London to greet triumphant kings, such as Henry V after the Agincourt campaign, and for royalty to receive visitors from the country. Its strategic importance was also quickly understood, and Blackheath became the focus and gathering point for many of the battles and rebellions in the city's turbulent history, starting with the Danes in 1013.

Special: Brian Burfield, 'Vikings in North America: Sagas, swords and Skraelings'.

Illustrated by Johnny Shumate.

A curious passage in the Grænlendinga saga mentions a battle between some Viking warriors, commanded by Thorfinn Karlsefni, and a certain people called 'Skraelings'. It was fought sometime around the year 1000. It was not a conflict with a traditional Nordic enemy, nor was it fought in known Viking territory, but rather it was a clash with Native Americans in a new and unknown land.
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